Custom watchmaker's trays

When you need a thing, make a thing.

If you walk into any jeweller or watchmaker’s shop, you’ll find a wide array of storage systems. These interlocking trays seem to be nearly ubiquitous in watchmaker’s studios. They have a nice clear case (which conveniently can have paper sheets slipped into them), and their colour coded key system is great for locking together up to five trays along with the lid. They’re also reasonably inexpensive, and because of that I’ve got dozens of them around the shop. But they’re also very limited in the available internal storage layouts. Enter the 3d printer. As I’m currently turning cases for multiple watches, I wanted to keep them organised and secure between operations. Once assembled I’ll need to keep cases together with dials, hands, buckles, straps, screws, and movements for a complete watch.

To that end I modelled an empty version of the case which is compatible with the original lids, keys, and trays. This is the foundation for modelling custom tray layouts for each stage of making and assembling the watch. These were printed in PLA on a Prusa printer. They take around 8hrs to print, and are roughly half the price of the original trays. But really cost savings wasn’t the goal here. The only thing I may do for the trays with finished parts is pad or flock the insides in order to offer some protection for the parts.

If you use this tray system and want to make your own customised trays, I’ve published the empty tray over on Thingiverse. The original trays are available from many suppliers. Here is a link to Cousins UK's page for them.

I've been modelling a bunch of things for 3D printing lately, and several might be useful for other people. I'll keep posting about them here, and sharing them over on Thingiverse.

Where is Chris?

TLDR; Follow me on Instagram, YouTube, and Mastodon.

Hi. It’s been a while. I have obviously not been maintaining this blog like I should. This is an update of where I am and what’s going on.

Twitter has been a place where I’ve spent a significant amount of time over the past 15 years. It’s been a great source of community, and a good source of news and entertainment. With the changes of the past few months that has radically changed. Most of the people I chatted with are gone which left just the news part. Now 3rd party twitter clients have been killed off the platform, I think I’m done. I’ve always used a 3rd party client to connect to twitter (primarily Tweetbot), mostly because I’ve found the native client to be a disaster. After the API was turned off last week I tried out the native client for a few minutes and quickly realised this isn’t what I’m looking for. So I’ve decided I’m going to avoid twitter for now. I won’t be deleting my account, and I’m not going to say I’ll never return. Changes have forced me to leave, but changes could just as easily make it a more palatable place to return to one day.

So where am I online then? Mostly I’m on Instagram these days. I’ve curated a good community of people to follow. It’s a nice mix of watchmakers, artists, food, and cats. This is also where I tend to post most often. I find it a better place for sharing what I’m up to. My biggest complaint is the lack of links in posts, so I’m considering posting stuff here more often when it requires links to be useful. I’m also on YouTube although not consistently. A few changes happening in ‘23 should facilitate posting there more often. If you’re not subscribed to the channel, you can find it at http://insidethe.studio.

A bunch of people I know from twitter have left for Mastodon. I’m not in love with the service at this point, and there aren’t quite enough people over there for me to visit regularly. Something which may facilitate that move is Tapbots (the fine makers of Tweetbot), launching their Mastodon client Ivory. The native Mastodon client isn’t great and that is one of the large barriers to me visiting there regularly. If you want to follow me over on Mastodon I’m @silver_hand@mastodon.art. No guarantees I’ll actually end up using it though. I think that will depend heavily on Ivory and how good it is. Frankly I’d love a better place than Instagram to post images and video of what I’m working on.

What’s up with Off Hours? It’s been a year since Jon and I last published an episode of Off Hours. It was a good conversation with Daniela Marin. If you haven’t heard it, I highly recommend it. But it’s also been a year since that went out. We weren’t recording a whole lot before that episode, and not at all since. It’s been tough to find the time to get together to record, and also tough to find the time to edit. That may change this year, but it may not. I’m unwilling to say Off Hours will never come back. It may come back a bit different. We’ll see. I did enjoy the conversations and it was a good place to think out loud. That doesn’t mean you can’t find me on podcasts. I have been asked to record an episode of another podcast so stay tuned for that.

Other work is progressing slowly. My first series of watches is crawling towards completion. All the hand finishing work has been completed, and I’m waiting on Schwarz-Etienne to finish assembling and timing them. In the mean time I am working on the cases and hope to have those finished by the end of February. This project has been several years in the making, and I’m excited to be close to the finish line. I do have a few other projects on the go which I should be able to reveal later in ‘23.

Reacting to reactions

I'm finally getting around to reacting to reaction videos. I know, 2007 called and wants its meme back 🙄

For the most part I can't stand the whole genre of reaction videos. Most of them are just jumping on a popular bandwagon and rarely add much value (one of the few examples of a reaction video by unknowledgeable participants which is entertaining is the two kids who listen to In The Air Tonight for the first time. Even though they add nothing in terms of expert commentary to the track, you know what they don't, and their reaction to a 40 year old song is genuine surprise and pleasure). They're also a good way to post copywrited content on your channel since you are technically transforming the original material.

Recently I've found some music reaction videos which are genuinely transforming and adding to the original work. The first I need to call out is Rick Beato. Rick is a former music prof and recording artist. He does a great job of breaking down a song, including isolating specific instruments, and even playing parts to demonstrate what is being play. Warren Huart is another great resource for breaking down iconic songs. He comes at these videos from the point of view of a producer and artist and not only covers the music but also the historic context and importance of the music.

But neither of these are really reaction videos. This is music they are intimately familiar with, and they're providing a well researched break down of the songs. I recently found Doug Helvering's channel. At first I was turned off the recommendation because it was the classic YouTube click bait title "Classical composer reacts to (insert song here)." I understand why he's using this kind of title. Viewers really do click on videos with these kinds of titles, and the algorithm then keeps pushing it in front of more people. In this case I was being pushed towards his reaction to Pink Floyd's Shine On You Crazy Diamond. Now I'm a huge Pink Floyd fan. I've been a fan since I was kid, and an album like Wish You Were Here, which was published the same year I was born, has been in my life as long as I can remember. It was fun to watch someone who is a music lover, and music expert, hear a song I know inside and out for the first time. His music theory commentary was also interesting as I'm trying to get back into learning guitar again and learning Floyd songs has been an obvious direction for me (my music theory is very weak so I like hearing people like Doug and Rick talk about it with songs I know well).

For anyone unfamiliar with the album, Shine On bookends the album. Parts 1-5 open the album, and parts 6-9 close it. Doug decides to listen to the song as a whole, and tackles the three middle songs in a separate video. I think this makes sense for the format of his videos, but if you've never heard the album I would suggest listening to it through in order the first time.

As much fun as it was to watch Doug react to my favourite Pink Floyd album, I saw he went through my favourite song in a different video. Echoes is an odd song which people who aren't fans have probably never heard of let alone heard. It was the entire B-side of the 1971 album Meddle, and comes in at 23 and a half minutes. Not exactly radio material in a world of 3 minute singles. While the entire band was credited with writing it, it really was keyboardist Richard Wright who was responsible for creating it. David Gilmour has always said it was a conversation between him and Wright when they played it. As such he's only ever played it when Wright was on tour with him. I had the pleasure of seeing the two of them play it in 2006 at Vincent Massey Hall. The single opening note was enough to get the crowd going. It was the most powerful live music performance I've witnessed. The version Doug watches in his reaction is the live version from Live at Gdansk. This is easily one of the best recordings of it, and benefits from having HD footage of the show as well. It's also the final time Gilmour and Wright played it on stage. Wright passed away from cancer less than two years after this performance.

If you're unfamilar with Echoes I recommend sitting down and listening through it at least once with a good pair of headphones without distraction. The good and bad thing about the reaction video is Doug talks through the song. It is great to hear his commentary, but it is worth listening at least once without any distractions. 50 years on it is still a powerful song with a message of empathy which the world could probably use right now.

Everything you want to know about niello... probably

I have been meaning to collect all of the information I've written about niello in one place. The old niello page I had under the Inside The Studio section was horribly outdated and didn't include the most important work I've done with niello. I have now updated that page to include links to the three papers I've published on niello. It will also be where I link to any future work I publish on the subject. Hopefully you find it useful.

Link to Niello page

Appearance on the Independent Thinking podcast

Back in mid-December I had the pleasure of speaking with Roman and Adam over on the Independent Thinking podcast over at Fifth Wrist Radio. We had a great chat ranging from art to teaching to watches. I hope you give it a listen and enjoy.

Another episode of the Independent Thinking Show for FifthWrist Radio. Hosts Roman (@TimesRomanAU) and Adam (@mediumwatch) chat with today's special guest Chris Manning (@silver_hand), an independent pen, jewellery and watchmaker and YouTuber/podcaster working in Canada. Join us for a conversation about preserving and learning ancient handcraft techniques; forays into watchmaking and the pursuit of authentic hands-on horological manufacturing.

The Cameron precision drill press

I’ve been looking for a precision drill press for the studio for a while, but it was never a high priority. When Jon and I started drilling the alignment and screw holes for our new bridge plates on the lathe, I quickly realized a precision drill press was no longer something I could live without. I was fortunate to have someone local who was willing to loan me a Cameron drill press so I could try it out. What a joy to use. I decided to buy my own and this video shows off the differences between the two models they have as well as my thoughts on which options to get.